😏
Stemresultaat: zeer goed
geweldig | 2 | 14% | |
zeer goed | 5 | 36% | |
goed | 5 | 36% | |
ok | 2 | 14% | |
voldoende | 0 | ||
onvoldoende | 0 | ||
slecht | 0 | ||
zeer slecht | 0 | ||
waardeloos | 0 |
Line-up 2+2
Line-up is niet compleet.
Mark Wanders house, techno |
Thijs Leenders techno |
Slof · visuals |
Statistieken
31 | bezoekers | |
32 | geïnteresseerd | |
80 / 19 | · | mannen / vrouwen |
25.5 | gemiddelde leeftijd | |
24.6 | leeftijd mediaan | |
1 | · | nieuwsbericht |
51 | · | opmerkingen |
3 | · | waarderingen |
zeer goed | · | stemresultaat (14 stemmen) |
Nieuws
Vier presents 2+2
15 april 2010
Alle mensen in en rondom Nijmegen opgelet! 2+2 heeft weer een line up uit de hoge hoed getoverd die zelfs de meest statische heupen zal doen wiegen. Berlijn aan de Waal! Eind 2009 organiseerde 2+2 de eerste editie in Merleyn met Daan Anders, Thijs Leenders en Olene Kadar als zeer gewaardeerde gasten. De avond werd een regelrecht succes met een uitverkochte tent, een dansende massa en een Olene Kadar op dreef. 3
51 opmerkingen
Vet, Panoramabar komt naar je toe dit voorjaar! Tama Sumo leuke italo-disco en housey plaatjes!
Uitspraak van tiesniewies op zaterdag 6 maart 2010 om 10:40:Met zulke plaatjes gaat het sowieso goed komen:
haha Jus Ed er met zn dikke kop erdoor ... tama is geniale boeking jongens
Wat een lekkerding!
Uitspraak van tiesniewies op maandag 15 maart 2010 om 14:45:Mark Wanders
kiek hem shinen!
Uitspraak van Jocelyn Abell op dinsdag 16 maart 2010 om 23:29:Wat een lekkerding!
zij is zekah hot!
Uitspraak van tiesniewies op zaterdag 6 maart 2010 om 10:40:Met zulke plaatjes gaat het sowieso goed komen:
weet iemand welke track deze eerste hier is?
Tama Sumo March 2010 Top 10
1 Chicago Skyway Wolfgang Hair EP Uzuri
2 Motorcitysoul Deliver Me feat. Ernesto (Prosumer Reprise) Simple Records
3 Steffi feat. Elif Biçer Kill Me Ostgut Ton
4 John Swing Unknown Feeling LiveJam Records
5 Disco Nihilist disco nihilist 3 Construction Paper
6 Falkplatz 1 ??? Falkplatz
7 Scott Ferguson Midwest Born & Bred EP Ferrispark
8 Unknown Artist Rootz 023 Comments Rootz
9 Patrice Scott Eclipse Sistrum Recordings
10 Skudge Convolution Skudge Records
1 Chicago Skyway Wolfgang Hair EP Uzuri
2 Motorcitysoul Deliver Me feat. Ernesto (Prosumer Reprise) Simple Records
3 Steffi feat. Elif Biçer Kill Me Ostgut Ton
4 John Swing Unknown Feeling LiveJam Records
5 Disco Nihilist disco nihilist 3 Construction Paper
6 Falkplatz 1 ??? Falkplatz
7 Scott Ferguson Midwest Born & Bred EP Ferrispark
8 Unknown Artist Rootz 023 Comments Rootz
9 Patrice Scott Eclipse Sistrum Recordings
10 Skudge Convolution Skudge Records
laatste aanpassing
That Certainly Always Leads to Change.” — Interview with Tama Sumo
Emotional. Rough. Funky. Dirty. All applies to a DJ set of Tama Sumo. Her real name is Kerstin Egert, she is the most cheerful and positive person you can meet in the club, both behind the turntables and on the dancefloor. She is celebrating every single track she is playing and the other way round when she finds herself dancing to the tunes of any other good DJ. It’s always nice to be around her, Kerstin’s happiness is simply infectious. Better known to the scene in the last years through her residency at the Panorama Bar (part of Berghain) in Berlin, the club that is still the most talked about these days. Internationally regarded as “the mother of all clubs” … Though she is little known for producing music. Together with Prosumer she put out two records until today, one on OstGut Ton and recently the split 12 for the “Phantasma” series Diamonds & Pearls Music (with a Marcel Dettmann track on the flipside). But finally she did this mix CD for OstGut Ton that has been released some weeks ago, “Panorama Bar #02, the follow-up of Cassy’s mix in 2006. Kerstin aka Tama Sumo will be known by a lot more people soon and I bet she is already traveling the globe to get the possibility to share her love and passion for music, especially Housemusic, with the dancing community and the people beyond. She has a lot to give!
After attending one of Tama’s last DJ sets at Panorama Bar, I just had a question about her new release. We then sent some mails back and forth and ended up talking about implementing the challenging project of a mix CD, making music with Achim Brandenburg (Prosumer) and what is moving her at the moment. There is only one thing I don’t really get about the CD: the idea about the cover photo, because she is looking slightly too severe and sad. What this is about, I will ask her the next time. But first read this short interview …
Many DJ-mixes are available at this time, with all podcasts and internet radio. A mix CD is even more carved in stone. What is so special for you about this CD?
What is special about this CD … that I have taken a lot of time to turn it into something very personal. I work very intuitively, from the gut and I like to drift specificly. For weeks I started listening to music a lot, even more than usual. Thus, a more concrete picture emerged, in which direction it should go. After some time I was able to identify clearly what this mix should fulfill: of course I wanted both present myself as a DJ as well as the Panorama Bar or my feeling for this club. The mix should also be audible in a context outside of the club.
The basic direction: „emotional, rough, funky and dirty“ with a strong tension and showing my various facets. And all in 80 minutes. It was very important to me that only tracks from producers or labels are included, that are affecting and inspiring me, whether for years or only for months.
And what is your personal story behind this mix?
Oh, there are hidden some of them, for example, like the one with the Oliverwhofactory. I think their productions are simply wonderful and I really wanted to have a track from them on the CD. Unfortunately, although an intensive search by OstGut Ton and me for weeks, we failed to make contact with them. Actually, I had given up and planned without Oliverwhofactory, when suddenly one day before I wanted to record the mix, Hardwax came up with the contact of the two guys from Detroit. Then, of course, everything had to be done incredibly quickly and I can still hardly believe it. I‘m so happy that it worked out. But of course there are more personal stories with every other track …
How difficult was the decision with the first track?
I bet you had a few to choose from …
Exactly! It even began, with the principle issue, should it rather be an ambient beginning without rhythmic elements, or should it be outright straight to the floor. I‘ve tried a lot – of rather abstract electronica productions to old soul music. Finally, after thinking about it a lot, I decided on the track from Tin Man. First, I admire him as a producer very much. The voice, the gentle pop appeal and the melancholy of the piece, it thrilled me during the production phase, it‘s just great. I also liked the fact that after this track a lot is possible, the track still leaves a lot open in where and what direction the mix can go.
You have recently done a new track with Prosumer. It has been released for the DNP 12“-series „Phantasma“. What is it like to make music with Achim? Are there any plans for your own productions, or do you like it more being in a „small band“?
Making music with Achim is very enchanting and a lot of fun. When it comes to the issue of producing, Achim has a decisive influence of overcoming my inhibitions with it. It has made me curious. We balance our fun and focus which are both extremely important for me while working.
I can imagine making my own productions, but I have no concrete plan. Maybe I‘ll try it the upcoming year. This would, however, not replace the work with Achim – this is simply too much fun and I don‘t want to give that up.
What has changed for you essentially since „no label no release“ disappeared behind your DJ name?
Since my first release in cooperation with Prosumer and the disappearance of the „no label no release“ status my attitude towards producing music has changed. I still have a lot respect for it, but at the same time I have a desire to work more in the studio and try different things. The way I am listening to music now has changed; which aspects I involve, how I judge music and what is important to it. I think, through my studio experiences, I am much more aware now of how someone has implemented an idea. Nevertheless, I hope that I judge music mainly with my heart and a good booty shake than with my head. Added to all this I am simply crazy happy to be part of the Ostgut ton label, and also a little proud. My DJ bookings outside of Berlin in the last two years have increased – which i‘m sure my track releases and the Panorama CD have helped lots.
The club Panorama/Berghain are known on the world stage and have their history. But what will change the next time you grace this club as an artist? What new directiosn could we see or hear?
Oh, I‘m not sure… For me creativity is working very intuitive and never according to a plan. I continue to try to be open and allow inspiration from the world around , and from people who are important to me. That certainly always leads to change. And I‘m curious to what.
What inspires you now to the most, what is your general interest?
I was most inspired by friends and girlfriends. They are in my imediate environment andhave a more than average interest in music and we all share our music influences a lot. This is extremely inspiring. In addition, I have the good fortune to be sent by my booking girls around the world and the impressions that I get in different places leave there mark on me.
What was the best decision, or perhaps the hardest you have ever made?
To give up my full time position and work fully as a DJ and producer. I gave this decision a lot of thought because I wanted to have more time for music and I felt like I was splitting myself in two. On the other hand, I also had a fear of financial insecurity, and I was afraid I would lose the pleasure of DJing, if I was to turn my hobby into a profession. Eventually I chose music, my passion and luckily, everything worked out great – I always have fun DJing and I can now concentrate properly on music and lose myself in this world. I am very, very happy I have taken this path.
Bron:http://www.justbreathe.de/wordpress/
Emotional. Rough. Funky. Dirty. All applies to a DJ set of Tama Sumo. Her real name is Kerstin Egert, she is the most cheerful and positive person you can meet in the club, both behind the turntables and on the dancefloor. She is celebrating every single track she is playing and the other way round when she finds herself dancing to the tunes of any other good DJ. It’s always nice to be around her, Kerstin’s happiness is simply infectious. Better known to the scene in the last years through her residency at the Panorama Bar (part of Berghain) in Berlin, the club that is still the most talked about these days. Internationally regarded as “the mother of all clubs” … Though she is little known for producing music. Together with Prosumer she put out two records until today, one on OstGut Ton and recently the split 12 for the “Phantasma” series Diamonds & Pearls Music (with a Marcel Dettmann track on the flipside). But finally she did this mix CD for OstGut Ton that has been released some weeks ago, “Panorama Bar #02, the follow-up of Cassy’s mix in 2006. Kerstin aka Tama Sumo will be known by a lot more people soon and I bet she is already traveling the globe to get the possibility to share her love and passion for music, especially Housemusic, with the dancing community and the people beyond. She has a lot to give!
After attending one of Tama’s last DJ sets at Panorama Bar, I just had a question about her new release. We then sent some mails back and forth and ended up talking about implementing the challenging project of a mix CD, making music with Achim Brandenburg (Prosumer) and what is moving her at the moment. There is only one thing I don’t really get about the CD: the idea about the cover photo, because she is looking slightly too severe and sad. What this is about, I will ask her the next time. But first read this short interview …
Many DJ-mixes are available at this time, with all podcasts and internet radio. A mix CD is even more carved in stone. What is so special for you about this CD?
What is special about this CD … that I have taken a lot of time to turn it into something very personal. I work very intuitively, from the gut and I like to drift specificly. For weeks I started listening to music a lot, even more than usual. Thus, a more concrete picture emerged, in which direction it should go. After some time I was able to identify clearly what this mix should fulfill: of course I wanted both present myself as a DJ as well as the Panorama Bar or my feeling for this club. The mix should also be audible in a context outside of the club.
The basic direction: „emotional, rough, funky and dirty“ with a strong tension and showing my various facets. And all in 80 minutes. It was very important to me that only tracks from producers or labels are included, that are affecting and inspiring me, whether for years or only for months.
And what is your personal story behind this mix?
Oh, there are hidden some of them, for example, like the one with the Oliverwhofactory. I think their productions are simply wonderful and I really wanted to have a track from them on the CD. Unfortunately, although an intensive search by OstGut Ton and me for weeks, we failed to make contact with them. Actually, I had given up and planned without Oliverwhofactory, when suddenly one day before I wanted to record the mix, Hardwax came up with the contact of the two guys from Detroit. Then, of course, everything had to be done incredibly quickly and I can still hardly believe it. I‘m so happy that it worked out. But of course there are more personal stories with every other track …
How difficult was the decision with the first track?
I bet you had a few to choose from …
Exactly! It even began, with the principle issue, should it rather be an ambient beginning without rhythmic elements, or should it be outright straight to the floor. I‘ve tried a lot – of rather abstract electronica productions to old soul music. Finally, after thinking about it a lot, I decided on the track from Tin Man. First, I admire him as a producer very much. The voice, the gentle pop appeal and the melancholy of the piece, it thrilled me during the production phase, it‘s just great. I also liked the fact that after this track a lot is possible, the track still leaves a lot open in where and what direction the mix can go.
You have recently done a new track with Prosumer. It has been released for the DNP 12“-series „Phantasma“. What is it like to make music with Achim? Are there any plans for your own productions, or do you like it more being in a „small band“?
Making music with Achim is very enchanting and a lot of fun. When it comes to the issue of producing, Achim has a decisive influence of overcoming my inhibitions with it. It has made me curious. We balance our fun and focus which are both extremely important for me while working.
I can imagine making my own productions, but I have no concrete plan. Maybe I‘ll try it the upcoming year. This would, however, not replace the work with Achim – this is simply too much fun and I don‘t want to give that up.
What has changed for you essentially since „no label no release“ disappeared behind your DJ name?
Since my first release in cooperation with Prosumer and the disappearance of the „no label no release“ status my attitude towards producing music has changed. I still have a lot respect for it, but at the same time I have a desire to work more in the studio and try different things. The way I am listening to music now has changed; which aspects I involve, how I judge music and what is important to it. I think, through my studio experiences, I am much more aware now of how someone has implemented an idea. Nevertheless, I hope that I judge music mainly with my heart and a good booty shake than with my head. Added to all this I am simply crazy happy to be part of the Ostgut ton label, and also a little proud. My DJ bookings outside of Berlin in the last two years have increased – which i‘m sure my track releases and the Panorama CD have helped lots.
The club Panorama/Berghain are known on the world stage and have their history. But what will change the next time you grace this club as an artist? What new directiosn could we see or hear?
Oh, I‘m not sure… For me creativity is working very intuitive and never according to a plan. I continue to try to be open and allow inspiration from the world around , and from people who are important to me. That certainly always leads to change. And I‘m curious to what.
What inspires you now to the most, what is your general interest?
I was most inspired by friends and girlfriends. They are in my imediate environment andhave a more than average interest in music and we all share our music influences a lot. This is extremely inspiring. In addition, I have the good fortune to be sent by my booking girls around the world and the impressions that I get in different places leave there mark on me.
What was the best decision, or perhaps the hardest you have ever made?
To give up my full time position and work fully as a DJ and producer. I gave this decision a lot of thought because I wanted to have more time for music and I felt like I was splitting myself in two. On the other hand, I also had a fear of financial insecurity, and I was afraid I would lose the pleasure of DJing, if I was to turn my hobby into a profession. Eventually I chose music, my passion and luckily, everything worked out great – I always have fun DJing and I can now concentrate properly on music and lose myself in this world. I am very, very happy I have taken this path.
Bron:http://www.justbreathe.de/wordpress/
Uitspraak van tiesniewies op maandag 5 april 2010 om 13:59:Wat een vette sound heeft tama toch.
indeed! zeker proberen hier bij te zijn
Uitspraak van tiesniewies op maandag 5 april 2010 om 13:59:Wat een vette sound heeft tama toch.
check vooral deze:
Uitspraak van Pimm0 op zaterdag 3 april 2010 om 12:54:
10 Skudge Convolution Skudge Records
inderdaaaaaaaad een heeeeeule vette plaat!
have fun boys!
Uitspraak van tiesniewies op zaterdag 17 april 2010 om 20:00:Sms Tama:
Super looking 4ward to the party 2nite!
We gaan een feestje bouwen
Vet! Komt helemaal goed dus!
Uitspraak van verwijderd op zaterdag 17 april 2010 om 22:18:honk miep miep vaap tok plok kiekoe
Heb jij gewoon op dat feestje zitten PF'n? Gast!!!